Revoice Pro 4 supports this in one fluent movement with its multi-processing capabilities and “region-based processing” approach. It's really impressive, in part because it's innovative but primarily because it's effective. There are specific modes within the APT (pitch and timing tools) that are geared for musical sources and dialogue sources.
Audiosuite plug-ins for Pro Tools allow you to apply presets such as creating a fake double-track, or time-aligning one clip to another without ever leaving the DAW; you only have to open RVP4 if you need to change the presets you wish Pro Tools to apply. Anyway, its quite an expensive purchase. It is equally indispensable for automated dialog replacement (ADR) and other tasks related to voice recordings in film audio. Simply capture a Guide signal with the right timing, capture a Dub signal to be aligned, press one button, and a new aligned Dub is generated and returned to your DAW. If you work in ADR or do lots of music work with stacked vocal parts (or, in fact, other instrument doubles — it works very well on bass, on guitar and various other sources) this tool could prove indispensable. Second, RVP4 doesn't distinguish between esses, breaths and other non-pitched sounds; you have to listen to each one and decide if changes are required. At heart, it's a stand-alone application, and you can still choose to use it as such, simply dragging and dropping audio clips from your DAW, processing them in RVP4, and dragging the results back.
For instance, when trying to align a rap lead vocal with a double that emphasised only certain words and syllables, most presets gave me very strange results. Revoice Pro workflow vs. Melodyne for tuning vocals. All in all, things just feel generally a bit slicker and that little bit better; it's a product that is finally reaching maturity — though I'm sure there's better still to come! You can manually drag to adjust the level of each ess/breath, or Option-drag to boost/attenuate in 3dB steps. VocALign Pro 4 is the most advanced version of the legendary VocALign program, providing instant tight alignment of one audio signal to another. WHATS NEW IN 4.1. Less obvious workflow improvements include the faster redrawing of some graphical elements, new shortcuts that allow you to perform existing actions in fewer clicks, and new facilities, such as being able to save a duplicate project for archival, complete with copies of the audio files. I really appreciate that revoice pro comes with 3 extra plugins in Pro Tools world which allows me to have that vocalign neat workflow but when needed I can dive in to settings right away. It is equally indispensable for automated dialog replacement (ADR) and other tasks related to voice recordings in film audio.UPGRADE to Revoice Pro 4 by trading in VocALign Project 3 and save!If you do not currently have a Pace account, you will be able to sign up for one during checkout. Steinberg have also announced plans to implement it in an update of Cubase Pro 10 (and presumably in Nuendo too, at some point).Note, though, that as with most time-stretching software, to achieve the best results, you should audition different presets or tweak the chosen preset. Both applications have aligned the start and the end of the phrase, but notice the position of the small 'k' sound in between the higher-level parts of the waveforms, and of the start of the word 'it'.