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Its pavilion is lined with 16 sides, which look like needles and arranged in pairs.In 1931, the Wittelsbach Graff was put up for sale at Christie’s in London. He saw the Wittelsbach before and after the recutting and says: “It absolutely does not look as it did before. Yet, others claim the Hope Diamond was also re-cut to improve its color and grading, and by improving the diamond’s beauty with a more modern cut, while documenting the changes made, you can show the advances made in the art of cutting.But here is where its traces become unclear – the diamond was never sold at the then-famous auction, yet never returned to its display in Munich. Only 0.1% of all naturally occurring diamonds fall in this class. It has always been theorized that the Wittelsbach-Graff and the Hope diamonds came from the same stone in the Golconda …
Rumors of an illegal sale the following year to a Munich jeweler were unsubstantiated, and the first time the diamond was again recorded was in 1951.
In 1931, the State gave permission for a selection of the Crown Jewels of the House of Wittelsbach to be sold to help their financial situation. In 1673, the Empress died and left the gem to her husband, Emperor Leopold I. Having long wondered if the two stones hailed from the same rough stone, these scientists set out to discern the truth about these two remarkable stones.These researchers, Rudolf Dröschel, Jürgen Evers, and Hans Ottomeyer, were unable to find evidence that the treasurer of King Philip's court purchased any stones from India and Portugal in 1664, as Herr Schneider had claimed. After World War I, Bavaria became a republic and the crown jewels of the House of Wittelsbach were eventually sold at Christie’s in 1931 by auction.
Although speculation was rampant about the location and ownership of the diamond, nobody really knew where it was.Upon Maria Amelia’s marriage to the Bavarian Crown Prince Charles Albert in 1772, the diamond became a part of the House of Bavaria, then taking its name from the Wittelsbach family. This guide looks at the connection between the two and other historical facts of the Wittelsbach Graff Diamond.Every diamond has its story, and the Wittelsbach Graff’s is just as intriguing as other world famous diamonds. The Wittelsbach-Graff Diamond is a 31.06-carat (6.212 g) deep-blue diamond with internally flawless clarity. The Wittelsbach Graff Diamond surfaced in the 17th century in the ownership of Infanta Margareta Teresa, daughter of King Phillip IV of Spain. However, people did not recognize it as the Wittelsbach Graff Diamond.There are no records that substantiate the actual origins of the Wittelsbach Graff Diamond.
Its pavilion is lined with 16 sides, which look like needles and arranged in pairs.In 1931, the Wittelsbach Graff was put up for sale at Christie’s in London. He saw the Wittelsbach before and after the recutting and says: “It absolutely does not look as it did before. Yet, others claim the Hope Diamond was also re-cut to improve its color and grading, and by improving the diamond’s beauty with a more modern cut, while documenting the changes made, you can show the advances made in the art of cutting.But here is where its traces become unclear – the diamond was never sold at the then-famous auction, yet never returned to its display in Munich. Only 0.1% of all naturally occurring diamonds fall in this class. It has always been theorized that the Wittelsbach-Graff and the Hope diamonds came from the same stone in the Golconda …
Rumors of an illegal sale the following year to a Munich jeweler were unsubstantiated, and the first time the diamond was again recorded was in 1951.
In 1931, the State gave permission for a selection of the Crown Jewels of the House of Wittelsbach to be sold to help their financial situation. In 1673, the Empress died and left the gem to her husband, Emperor Leopold I. Having long wondered if the two stones hailed from the same rough stone, these scientists set out to discern the truth about these two remarkable stones.These researchers, Rudolf Dröschel, Jürgen Evers, and Hans Ottomeyer, were unable to find evidence that the treasurer of King Philip's court purchased any stones from India and Portugal in 1664, as Herr Schneider had claimed. After World War I, Bavaria became a republic and the crown jewels of the House of Wittelsbach were eventually sold at Christie’s in 1931 by auction.
Although speculation was rampant about the location and ownership of the diamond, nobody really knew where it was.Upon Maria Amelia’s marriage to the Bavarian Crown Prince Charles Albert in 1772, the diamond became a part of the House of Bavaria, then taking its name from the Wittelsbach family. This guide looks at the connection between the two and other historical facts of the Wittelsbach Graff Diamond.Every diamond has its story, and the Wittelsbach Graff’s is just as intriguing as other world famous diamonds. The Wittelsbach-Graff Diamond is a 31.06-carat (6.212 g) deep-blue diamond with internally flawless clarity. The Wittelsbach Graff Diamond surfaced in the 17th century in the ownership of Infanta Margareta Teresa, daughter of King Phillip IV of Spain. However, people did not recognize it as the Wittelsbach Graff Diamond.There are no records that substantiate the actual origins of the Wittelsbach Graff Diamond.