There’s something about Tmax 400 that appeals to my eye. Kodak Tri-X 400. It is now manufactured by Eastman Kodak but distributed and marketed by Kodak Alaris.. If shooting street on an overcast day, as the sun is going down, or even in and out of buildings, this can make all the difference.These include advanced T-Grain emulsion technology, optimised colour precision technology, better underexposure protection, great skin tones, and better pictures under more conditions.Sounding like a 1960s Japanese superhero isn’t a bad thing in itself, but maybe losing that name lineage to the 1980s is denying it that cult status Gold 200 enjoys as a timeless stock.You can check the prices and availability through the links below.A good number of the images I got with Ultramax were shot in the morning and afternoon sun, and the film reacted to that with good contrast. As you probably gathered from this article, I am a big fan of Kodak T-Max 400 film. I’ve had better results with it – to my eye anyway – and appreciate the higher ISO is there should I ever need it.As well as some people disliking the look it gives, I wonder if part of the reason Ultramax isn’t as loved as Gold 200 is due to its current moniker.Kodak Ultramax is not a film you should have any trouble tracking down, picking up, and buying from an actual person in an actual shop.So if you’re asking what Kodak Ultramax 400 is, the simple answer is Kodak Gold 400 with a more comic book-sounding name. Especially with B&W film it can take many rolls to “learn” how it handles different kinds of light any exposure.
I usually just add on an extra minute for every +1 stop. Unfortunately, it seems to be a bit of a black sheep.If you were to go researching old versions of Kodak Ultramax 400 packaging, like I did before writing this, you’d find the film hasn’t always gone by its current name.One thing to note is skin tones may come out a little too yellow if you overexpose. As Ultramax is so closely related to Gold 200, it should come as no surprise that it gives you results with similar levels of that Kodak warmness.Based on what I’ve shot, I’m in the latter camp. If I’m not sure what I’ll be shooting, it’s nice to bring along the T-MAX 400 for the day. It’s a general-purpose, daylight-balanced, color negative film with a sensitivity of ISO 400 (27º). Right now I prefer it to Gold 200. I completely agree with you, I am now buying Delta bulk rolls too. I have been making photographs for about 12 years now and moved to analog only about 5 years ago. Most of the shadow areas of the image become pure black and the detail is pretty much nonexistent now.I developed again in 24c using Kodak T-MAX Developer for 7:30s. I believe Ilford must have seen an increase in film sales since Kodaks price rise. The ISO 400 speed is really great for me because it’s so versatile. It’s also arguably more user-friendly (improved tone scale, easy to print, less finicky in both exposure and development). It has the DX code 915373 and is developed using the regular C-41 process.
The film is available in 35mm format in both 24 and 36 exposure cartridges, which is an added convenience. The photographic films and cameras used…What I have noticed is that no matter what speed you shoot it at, it’s very good at retaining details in the highlights. Set your camera or meter (marked for ISO⁄ASA or ISO⁄DIN speeds) at the speed for your developer given in the table. Obviously the grain isn’t as noticeable as EI 1600 but its defiantly more noticeable that box speed grain.I admittedly have shot very few rolls of T-Max, and now with the recent price increases, I don’t know if I ever will. I highly recommend people to buy a few rolls and have a play!I’m an Englishman living in Okayama, Japan. I mainly shoot black and white film.Lovely review of a film that’s become my favourite over the last couple of years. Then, on top of that, the developer used also plays a large roll in the final look.However over the last couple of months the price of Tmax 400 120 rolls in the UK has become absurd.
Kodak Ultramax 400 specs and development. It has the DX code 915373 and is developed using the regular C-41 process.
Kodak TMax 400 Review – Summary. 2 KODAK PROFESSIONAL T-MAX 400 Film • F-4043 The developer you use to process this film affects the exposure index. Note: The developers and exposure indexes in bold type Tri-X is a cubic emulsion. Indeed I moved to Vienna, and…I have heard many people say that this film stock is not that versatile but now I have to completely disagree.