But I know there's a clamoring for a film like the new E100, and I hope Rochester sells truckloads of it…which might be tricky at this moment in time, but here's hoping anyway.With Kodak bringing back the slide films it will make me and lots of transparency shooters very happy. I used the Kodak G films from the first E100, E100S through to the E100G series. It's vivid, but not surreal. Rating. Let us know your thoughts!Prices, specifications, and images are subject to change without notice. 35mm/36 exposure cartridges – just released and shipped fresh. The last transparency film I truly adored was FUJIFILM's Astia, which was discontinued around 2010 or so—a couple of years before Kodak had discontinued all of its color transparency films. My frustration at the time regarded making prints from the stuff, so snagging my first film scanner - a used Nikon - in 1998 was a revelation. Funny thing is, it was going digital in post-process that moved me away from slide to negative film, largely due the much-wider latitude, but also because color-correction wass almost literally a snap: I'm surprised to know of so many people banging their heads against the wall trying to get decent color from their neg scans; dumb luck on my part? 100 isoThis is my Kodak Ektachrome Review. But now that Ektachrome is available in 120, things might begin to change.The other notably impressive quality of this film is its resolution, and apparent clarity, compared to that of a negative film. ... Hamish's Experiments with E100 Kodak Ektachrome E100 Kodak Film. The scenes varied and lenses used were a Voigtlander 40mm Ultron, a Nikon 70-200 f/4, and a Sigma 160-600. Price $ $ $ Saturation + + + + + Latitude + + + + + GrainFine - Coarse + + + + + View Index. LOVE LOVE LOVE LOVE! Finally, at the end of 2019, Kodak has brought this much-missed film back to 120 and 4 x 5" sizes. ISO100.
With Astia gone and with Kodak out of the E-6 market, I settled on making negative films (specifically Portra) my go-to for any and all color work for the past decade. User Ratings. After leaving the darkroom for scanning, I primarily chose color negative film due to familiarity. What are your thoughts on this re-released slide film? Technically, your preferences and experiences pretty much mirror mine, with perhaps one exception: I shot a *ton* of Kodachrome (as well as E6 Ektachrome as Kodak initially rolled it out to replace E4), along with a few other slide films throughout the 70s and into the late 90s. Kodak Ektachrome 100 - Film Review. (And, yes, Portra is my solid standard for color neg, 160 in particular.) It is showing you all of the colors available, and any straying from this standard is a reduction of image quality. TypeE6 Slide Film. Gen. #0907906Nice review, and fabulous photos. I figured that, compared to the gray and dormant climate of wintertime New York, sunny California would be the perfect place to try this film. Then I thought, nope, I am going to shoot like me. Using a high-quality scanner seems important in this step so as not to lose much information during the digital process. Not responsible for typographical or illustrative errors. The other thing I adored about working with positives is color-correcting the scans against the film itself. I didn't need a film to boost the color and saturation of the environment, I needed a film to reign it in.Faster shipping methods and other carrier options may be available—just upgrade during checkout. With high-resolution drum scans, you’re able to truly analyze grain unlike any other scans and with E100, and I was impressed. I used the slide film the way I would normally use Kodak Ektar on the people and locations I would normally shoot. Hd.
As expected, Ektachrome gives a very realistic and lifelike image quality with maybe a bit more "oomph," if you will—sort of like wearing prescription sunglasses. I rated the film right at 100 and didn't want to venture into pushing or pulling for this test.Have you had a chance to use the new Ektachrome yet? I had the various rolls for anywhere from a few days to about a week before shooting them. And there's an airiness, lightness, and sharpness to the images that is really captivating when looking at the film itself on a lightbox.Compared to working with Portra 400, the first thing I had to get used to about Ektachrome E100 is that it's a 100-speed film, obviously.
Blame it on the great, fine-grain ISO400 neg films of the last few decades that spoiled me rotten (not to mention higher-end DSLRs) that keep me from working with anything appreciably slower. Kodak announced Ektachrome E100's triumphant return to production a few years ago, and, for the past couple of years, the film has been available for 35mm and Super 8 shooters. New films have hit the scene here and there, but it has been discouraging to see … Brand Kodak. Ektachrome E100 is the new film, which began production in 2018.