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The gorgeous tones and stunning saturation are traits we most often find in pricier, “professional” film, and it’s even more stunning when we consider the low cost of Superia. My young, doe-eyed self was happy to capture anything remotely decent. I haven't tried it since I switched to my mirrorless scanning setup. I don’t notice a whole lot image-wise, although like most people say, the Kodak is a bit warmer.I find myself using both often being they are the most affordable, but I probably need to think a bit more of why I should use one over the other for specific situations. If the Valley seemed bleak and somber during the day, it burst into magnificent color at night.
It’s definitely worth another shot. It handled deep shadows and dappled sunlight equally well. All the Wal-Marts in my area sell 4-packs of C200 and Superia 400 for around $12 so it’s still a bargain (it was a sad day when I went for 800 and they didn’t have it anymore). But I like the look of it, and have just ordered a few more rolls to try it again.I’ve actually mistakenly shot with this film on a trip to the dragon in 2017. Fuji states it can handle up to two stops and still make perfect images. Anyone have updates or info on that?Wow! Maybe an article about that one would make for good reading ?The bus lumbered on, the drab landscape of the San Fernando Valley tiredly scrolling by on the far side of a thick pane of glass. I’ve got rolls of Portra 400, Fuji Pro 400H, and Ektar in 120 format, so I’m ok on that front. Instead, I came away with a deep appreciation for the power and potential of analog, and today I realize that Superia may just be the perfect film for leading new shooters into the vast, colorful world of film photography.Hope you find a 400 speed film that works for you!There’s no color negative film I love more than Superia, any speed but 400 is nice and right in the middle. Fuji Superia Premium 400 is a Japan-only film. As exposure times increase we actually see a further diminishing of the already fine film grain and slight increase in shadow detail. In fact, Kodal Ultramax 400 is now my standard inexpensive film for everyday snap shots. Film. He has an affinity for all things analog. I’m returning to film photography after a long time shooting only digital and just shot a role of Superia through the X-700 (which was also my first camera back in high school) my wife got me for Father’s Day. I save the Portra and slide film for special occasions due to cost. I’m not sure what emulsion that is based on.I’ll have to take a look at the Lomo film you referenced. All these years later and I’ve shot countless rolls of film of every brand and price. Now, I am going to Iceland in a week and wanted your opinion on whether to get Portra 400 or Ultramax. I marvelled at its simple, uncluttered design. Maybe it's a scanning issue. The raucous noise of a high school marching band and the garish threads of the band uniforms made for quite the spectacle, and for me it was a spectacle worth committing to film. I just like the color palate of the Kodak film better. I’m sort of resisting for two reasons, 1. The drumline scene popped with a glorious vibrancy that seemed brighter than memory. Hope this helps. Some of this was in part due to the excellent optics in the humble Yashica – (32mm f3.5 lens) that’s pretty darn close to the Zeiss T3 lens (for hundreds less too).
Note that the Fuji 800 and 200 emulsions though do not share this problem and also give great Caucasian skin tones. It’s a thoroughly modern color film that was formulated to handle almost any situation, and as importantly, any level of shooter.Josh Solomon is a freelance writer and touring bassist living in Los Angeles. I've felt personally that the Ultramax is slightly better and maybe a tad bit grainier in most situations, but I haven't explored if one film is cooler or warmer than the other. I am pleased to hear that you have a similar opinion.It really would be handy to find a good ISO400 film, both for when light is lower, and when I want to use smaller apertures for greater DOF.
The gorgeous tones and stunning saturation are traits we most often find in pricier, “professional” film, and it’s even more stunning when we consider the low cost of Superia. My young, doe-eyed self was happy to capture anything remotely decent. I haven't tried it since I switched to my mirrorless scanning setup. I don’t notice a whole lot image-wise, although like most people say, the Kodak is a bit warmer.I find myself using both often being they are the most affordable, but I probably need to think a bit more of why I should use one over the other for specific situations. If the Valley seemed bleak and somber during the day, it burst into magnificent color at night.
It’s definitely worth another shot. It handled deep shadows and dappled sunlight equally well. All the Wal-Marts in my area sell 4-packs of C200 and Superia 400 for around $12 so it’s still a bargain (it was a sad day when I went for 800 and they didn’t have it anymore). But I like the look of it, and have just ordered a few more rolls to try it again.I’ve actually mistakenly shot with this film on a trip to the dragon in 2017. Fuji states it can handle up to two stops and still make perfect images. Anyone have updates or info on that?Wow! Maybe an article about that one would make for good reading ?The bus lumbered on, the drab landscape of the San Fernando Valley tiredly scrolling by on the far side of a thick pane of glass. I’ve got rolls of Portra 400, Fuji Pro 400H, and Ektar in 120 format, so I’m ok on that front. Instead, I came away with a deep appreciation for the power and potential of analog, and today I realize that Superia may just be the perfect film for leading new shooters into the vast, colorful world of film photography.Hope you find a 400 speed film that works for you!There’s no color negative film I love more than Superia, any speed but 400 is nice and right in the middle. Fuji Superia Premium 400 is a Japan-only film. As exposure times increase we actually see a further diminishing of the already fine film grain and slight increase in shadow detail. In fact, Kodal Ultramax 400 is now my standard inexpensive film for everyday snap shots. Film. He has an affinity for all things analog. I’m returning to film photography after a long time shooting only digital and just shot a role of Superia through the X-700 (which was also my first camera back in high school) my wife got me for Father’s Day. I save the Portra and slide film for special occasions due to cost. I’m not sure what emulsion that is based on.I’ll have to take a look at the Lomo film you referenced. All these years later and I’ve shot countless rolls of film of every brand and price. Now, I am going to Iceland in a week and wanted your opinion on whether to get Portra 400 or Ultramax. I marvelled at its simple, uncluttered design. Maybe it's a scanning issue. The raucous noise of a high school marching band and the garish threads of the band uniforms made for quite the spectacle, and for me it was a spectacle worth committing to film. I just like the color palate of the Kodak film better. I’m sort of resisting for two reasons, 1. The drumline scene popped with a glorious vibrancy that seemed brighter than memory. Hope this helps. Some of this was in part due to the excellent optics in the humble Yashica – (32mm f3.5 lens) that’s pretty darn close to the Zeiss T3 lens (for hundreds less too).
Note that the Fuji 800 and 200 emulsions though do not share this problem and also give great Caucasian skin tones. It’s a thoroughly modern color film that was formulated to handle almost any situation, and as importantly, any level of shooter.Josh Solomon is a freelance writer and touring bassist living in Los Angeles. I've felt personally that the Ultramax is slightly better and maybe a tad bit grainier in most situations, but I haven't explored if one film is cooler or warmer than the other. I am pleased to hear that you have a similar opinion.It really would be handy to find a good ISO400 film, both for when light is lower, and when I want to use smaller apertures for greater DOF.