It is a giant ship to steer, and in her debut outing at the helm, Virginie Viard kept it on an even keel in tranquil waters—appropriately enough for a Cruise collection. Feb 22, 2020 - “colorful chanel sweater” Feb 22, 2020 - “colorful chanel sweater”..
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Chanel Fall 1994 Ready-to … Jul 17, 2020 - #chanel #cc #highfashion #luxury #designer #fashion #style. Chanel Spring 1995 Ready-to-Wear. Although there were train tracks here, there was no train—wisely, because who could eclipse the steaming trains of John Galliano’s sensational Fall 1998 Haute Couture show for Christian Dior, or Marc Jacobs’s no less astounding Fall 2012 presentation for Louis Vuitton. The aesthetic of the convent stayed with Chanel forever. Mode Outfits Trendy Outfits Fashion Outfits Fashion Tips Fashion Clothes Fashion Ideas Cool Summer Outfits Style Summer Fashion 2020. Chanel Spring 1996 Ready-to-Wear. In imaginative retellings of her autobiography, Chanel would refer to the convent’s strict and unforgiving nuns as “aunts.” These taskmasters nevertheless taught the young Chanel to sew and thus gave her the tools to forge a life as an independent woman for herself in later years.
See more ideas about Fashion, High fashion, Chanel. Here, in an atmosphere that evoked the sort of ambiance Chanel herself would have been familiar with as she prepared to speed off to La Pausa (the monastic house she built for herself in Roquebrune on the French Riviera in the early 1930s), breakfast was served for guests at the first of two shows, and lunch for those at the next.
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Chanel was 11 years old when her mother died, and as her wayward father—a traveling salesman with a supposed wandering eye—was often away, it was decided that she would be sent to the convent of Aubazine in the remote French region of Corrèze. Viard instead transformed the vast space of the Grand Palais into a train platform, the audience seated on old-fashioned benches, waiting expectantly, and the building’s existing Art Nouveau architecture successfully evoking a turn-of-the-century train station for giants.The mighty house of Chanel is now a double-legacy brand that carries the DNA of both Gabrielle “Coco” Chanel and Karl Lagerfeld, fashion giants who between them shaped the way women wanted to look for a century and more. All items are authenticated through a rigorous process overseen by experts. Her distinguished future biographer Edmonde Charles-Roux saw in the designer’s “yearning for austerity” or in the moments when she “waxed nostalgic for all things white, simple, and clean, for linen piled high in cupboards, [and] whitewashed walls,” references to “a secret code.” In fact, Charles-Roux posited, “Every word meant only one word: Aubazine.”Virginie Viard’s Chanel haute couture presentation saw us in the romantically overgrown garden of a cloister, set somewhat miraculously in the chilly immensity of Paris’s Grand Palais. Here, her unusual and impoverished situation meant that she was among the girls singled out to wear an austere black-and-white uniform, one that she would adapt through the years to dress the richest and most stylish women of her age. Chanel Spring 1996 Ready-to-Wear.
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The collection itself was presented downstairs in the great soaring space of the Grand Palais.