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Quiet Nights. Ian Ernest Gilmore Evans (born Green; May 13, 1912 – March 20, 1988) was a Canadian-American jazz pianist, arranger, composer and bandleader.He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion.He is best known for his acclaimed collaborations with Miles Davis. He is completely in charge, uncowed by the first-call studio musicians around him.
The digital technology happens to be adequate to capture what was there from the beginning.The four versions of the "Concierto" in this boxed set document the studio drama surrounding it neatly, if inadvertently. )More interesting is the previously unreleased "Falling Water" (4, 11-14), recorded in New York with a 16-piece orchestra in February 1968.
Out of that came some recordings with the band eventually called The Miles Davis …
The four takes of this one tune are surprisingly varied. 1993.
His arrangements for Davis are like settings for the finest jewels, whether he’s creating rich, brass chords or adding only light percussion to the trumpeter’s solitary lament.
October 21, … The next version, five days later (3, 9), shows Davis figuring out his solo spots in a complete version (also spliced) with a surprisingly gritty sound in the brass ensembles. Miles Davis At Carnegie Hall. Porgy And Bess. Jason Sositko, a freelance writer and entrepreneur is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.
They reveal much about the processes that went into these works, including extensive editing and even some overdubbing. Miles & Quincy Live at Montreux. Only the master take has ever been heard before.Evans emerges as the hero not only of the "Concierto" sessions but of all the out-takes, rehearsals, breakdowns and discussions sprinkled through CDs 4, 5 and 6. "Falling Water" was the first session, apparently, of what was long rumoured to be rehearsals for a full-scale new collaboration. The 10 tracks here are a well chosen mix of originals and covers. Jason Sositko. In that, there should be no reason for disappointment. Some of those things are trivial, as when the acute remastering picks up the sound of Davis turning a manuscript page on "The Pan Piper" (3, 3,at 1:42), or catches (as Schaap notes) the sound of him dropping a mute on the floor in the coda of "Springsville" (1, 11). On this release it is supported by the short1955 album 'Blue Moods' which fits well stylistically particularly on the simply wonderful 'Nature Boy'. No matter how familiar the master takes are, we hear things we never heard before. What most distinguishes the box set is the archival work of Phil Schaap, who has compiled a wealth of alternate takes. July 16, 1962. 06902. His assertiveness will surprise anyone who remembers him best as the benign anarchist at the heart of the Monday Night Orchestra from 1975 until his death in 1988, the only really public phase of his career.So we will have to content ourselves with the music we already knew. The extra hours of music in this box, imperfect though it always is, illuminate the classic recordings beyond our expectations. He had an interest in unusual instrumentation and a talent for creating subtle mixes of distinct voices, adding French horns, oboe, bassoon, and harp to the conventional big band and thinning its saxophone, trumpet, and trombone sections. Miles Davis & Gil Evans: The Complete Columbia Studio Recordings 1996. And there are many more.
Quiet Nights. Ian Ernest Gilmore Evans (born Green; May 13, 1912 – March 20, 1988) was a Canadian-American jazz pianist, arranger, composer and bandleader.He is widely recognized as one of the greatest orchestrators in jazz, playing an important role in the development of cool jazz, modal jazz, free jazz, and jazz fusion.He is best known for his acclaimed collaborations with Miles Davis. He is completely in charge, uncowed by the first-call studio musicians around him.
The digital technology happens to be adequate to capture what was there from the beginning.The four versions of the "Concierto" in this boxed set document the studio drama surrounding it neatly, if inadvertently. )More interesting is the previously unreleased "Falling Water" (4, 11-14), recorded in New York with a 16-piece orchestra in February 1968.
Out of that came some recordings with the band eventually called The Miles Davis …
The four takes of this one tune are surprisingly varied. 1993.
His arrangements for Davis are like settings for the finest jewels, whether he’s creating rich, brass chords or adding only light percussion to the trumpeter’s solitary lament.
October 21, … The next version, five days later (3, 9), shows Davis figuring out his solo spots in a complete version (also spliced) with a surprisingly gritty sound in the brass ensembles. Miles Davis At Carnegie Hall. Porgy And Bess. Jason Sositko, a freelance writer and entrepreneur is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com.
They reveal much about the processes that went into these works, including extensive editing and even some overdubbing. Miles & Quincy Live at Montreux. Only the master take has ever been heard before.Evans emerges as the hero not only of the "Concierto" sessions but of all the out-takes, rehearsals, breakdowns and discussions sprinkled through CDs 4, 5 and 6. "Falling Water" was the first session, apparently, of what was long rumoured to be rehearsals for a full-scale new collaboration. The 10 tracks here are a well chosen mix of originals and covers. Jason Sositko. In that, there should be no reason for disappointment. Some of those things are trivial, as when the acute remastering picks up the sound of Davis turning a manuscript page on "The Pan Piper" (3, 3,at 1:42), or catches (as Schaap notes) the sound of him dropping a mute on the floor in the coda of "Springsville" (1, 11). On this release it is supported by the short1955 album 'Blue Moods' which fits well stylistically particularly on the simply wonderful 'Nature Boy'. No matter how familiar the master takes are, we hear things we never heard before. What most distinguishes the box set is the archival work of Phil Schaap, who has compiled a wealth of alternate takes. July 16, 1962. 06902. His assertiveness will surprise anyone who remembers him best as the benign anarchist at the heart of the Monday Night Orchestra from 1975 until his death in 1988, the only really public phase of his career.So we will have to content ourselves with the music we already knew. The extra hours of music in this box, imperfect though it always is, illuminate the classic recordings beyond our expectations. He had an interest in unusual instrumentation and a talent for creating subtle mixes of distinct voices, adding French horns, oboe, bassoon, and harp to the conventional big band and thinning its saxophone, trumpet, and trombone sections. Miles Davis & Gil Evans: The Complete Columbia Studio Recordings 1996. And there are many more.